Paintings > Proximidy and Portaiture

Resurgence
WAV File, Inkjet Photo Transfer, Oil, on Wood Panel
20”x25”
2019
Inez in Cuba
Observational Drawing, Found Silver Gelatin Print (1950), Inkjet Transfer, Oil on Wood Panel
Diptych), 16”x 24”
2020
Johnna in Hospital
Observational Drawing, WAV File, Inkjet Photo Transfer, Oil, on Wood Panel
24"x24"
2020
A Portrait Who Quoted Carrie Bradshaw (“I’m not drunk, I’m sedated for my pain”)
JPEG, Conversation Transcription, Inkjet Transfer, Oil on Wood Panel
16”x20”
2020
Ashley (May 2019)
JPEG, WAV File, Inkjet Photo Transfer, Oil, Rabbit Skin Glue on Wood Panel
24”x25”
2019
 A Portrait Contrary to Myth
A Portrait Contrary to Myth 2019 JPEG, Conversation Transcription, Inkjet Photo Transfer, Oil, on Wood Panel
36”x36”
2019
Ashley (20 year Span)
20 JPEG Files (Raw Data), Inkjet Photo Transfer, Oil, on Wood Panel
24"x24"
2019
Self Portrait
Observational Drawing, Raw DNA data, Inkjet Transfer, Oil on Wood Panel
27.5”x 33.5”
2020

In an attempt to navigate a more equitable means of abstraction and rendering of human connection and essence, I created a system of translation. Modeling the structure in the likeness and then importing the raw data from audio files containing an exchange between myself and my subject, an abstraction occurs. This process generates a visual surrogate for the subject, abstracted by the interaction. It is an attempt to conjure human interaction, functioning as a conflict to sort out in the painting.